Some Like It Hot
Billy Wilder, 1959, bw (8*)
A ludicrious premise like this in the hands of anyone short of a master director like Wilder and this classic comedy could have been another forgettable farce, or even a tv show like Bosom Buddies, which obviously borrowed from this. Two musicians, played by Jack Lemmon and Tony Curtis, witness a gangland slaying and flee to avoid being the next victims. Naturally, the best place to hide out? An all-female big band, with none other than Marilyn Monroe around to tempt the guys to shed their female impersonations and reveal their macho studliness. They occasionally forget and speak in deep male voices.
In a funny twist, to top off the insanity, the wealthy Joe E. Brown falls for Jack Lemmon as a woman, so we get some great gender-bending jokes about the aggressive male tactics in romance, as well as the film’s hilarious closing line. This is another Wilder gem, and they’re still trying to make a similar film today, as Tootsie and Big Mama and Mrs. Doubtfire all proved. How ironic that gay heartthrob Tony Curtis was both in drag and played the denonair playboy courting Marilyn on the side. This pokes great fun at the superficiality and materialist driven American romantic ritual.
A ludicrious premise like this in the hands of anyone short of a master director like Wilder and this classic comedy could have been another forgettable farce, or even a tv show like Bosom Buddies, which obviously borrowed from this. Two musicians, played by Jack Lemmon and Tony Curtis, witness a gangland slaying and flee to avoid being the next victims. Naturally, the best place to hide out? An all-female big band, with none other than Marilyn Monroe around to tempt the guys to shed their female impersonations and reveal their macho studliness. They occasionally forget and speak in deep male voices.
In a funny twist, to top off the insanity, the wealthy Joe E. Brown falls for Jack Lemmon as a woman, so we get some great gender-bending jokes about the aggressive male tactics in romance, as well as the film’s hilarious closing line. This is another Wilder gem, and they’re still trying to make a similar film today, as Tootsie and Big Mama and Mrs. Doubtfire all proved. How ironic that gay heartthrob Tony Curtis was both in drag and played the denonair playboy courting Marilyn on the side. This pokes great fun at the superficiality and materialist driven American romantic ritual.
0 comments:
Post a Comment